more sophisticated disco influenced gems from this great fledgling label... the elevator people are back, introducing ep 003 by giulio dj! giulio dj, also called julian horn by his mum, started his tuneful career djing in vienna about 8 years ago, bringing his love for authentic disco, balearic beats and cosmic leftfield sounds to local music circles. julians productions reflect the warmth of 70s n 80s disco with a wide range of influences from chicago to contemporary house music. his first release on elevator people is a dirty mid-tempo floor filler called cocos nuts that will work well on the more sophisticated dance floors and will go just as well with your hamburgers during those summer bbqs portuguese don >social disco club< takes it up a notch and delivers a sweet house remix with a little acid on the side

for its 20th release, absolut freak records is proud to present the much expected from outer space by nicolas chenard. the ep starts with parallelism, an ultimate tribute to the rave anthems, with its massive spacey disco loop and strings. already a classic! on do not educate, he rocks with his gameboy and shows his taste for 8-bit synthesis. then, the path reveals his singular melodic genius. the introduction takes you on a fantasy journey with hypnotic organ and flutes, before rolling an electro monster with killer pads. supported by cyberpunkers, david carretta, stereoheroes, donovans, saint pauli, dalcan & john lord fonda!

bergerac is the new record label set up by uk producer and dj red rack’em (aka danny berman) to showcase the more dancefloor end of his music productions. danny is well known for his wonky disco outings as hot coins on tirk and also his deep as hell beatdown house on untracked. his style of production and djing have recently taken a slightly more banging angle due to the influence of larger scale festival gigs such as glastonbury, snowbombing and the big chill. so it seemed like the perfect time to start a label focussing on house and techno for the more discerning dancefloor. the label artwork will feature bespoke illustrations from german artist silke eiselt of all the houses danny has lived in chronologically. how much more fucking house can you get than that? how i program is a raw, heads down, whacked out banger, which straddles the wafer thin divide between house and techno with aplomb. with a massive loud donking bass noise, seedy late night atmosphere and danny shouting about how he programs his shit - this is some freaky deaky peak time business. next up is bonn, a warm crackly rhodes driven halcyon house moment, which evokes the slightly majestic and nostalgic vibe of people dancing alone together in a hot room at the end of the night. cheering sourced directly from bonn in 1982 mixes with naive keywork and distant female chants the first bergerac ep closes with it happens to us all, which could be an ode to prematurely greying men, the onset of senility or occasional farting in public places. its definitely a prime slice of wrong house with some seriously french hi hats and dubbed out bassline action though. yes, its more syncopated than an exploding castanet factory but thats how we like that kind of funk

>that placid track< has been in the hands of some lucky individuals for some time now, making its way across dancefloors from berlin to new york, bristol to tokyo.
dark disco references are heavy throughout with a great use of strings licks, a slo-motion vocal sample and a classic cowbell keeping everything nicely in check. as with most of octobers productions though he still has one foot firmly inside berghainrendering this essentially disco track into something with more of a late night, broody edge.

mr konfuze & lunatic as known from manmade feature funk and for their sureshot track >on the beatbox< come again with their first extended player! employing the original techniques and artform of sampling they bring the bomb track >dont wanna lose it< in two different versions for your dancing pleasure.
mixing uplifting disco piano, slamming breakbeats, electro-synth, funky rhodes, and pop vocals to create a catchy sound chopped up inna hiphop style - familiar to anybody and outstanding at the same time.

beg to differ is a dance music duo comprised of house hero nick chacona and wurst label boss roy dank. the two longtime friends started tinkering around in the studio last year, remixing the likes of detachments for thisisnotanxit as well as nicks solo outing with kathy diamond for moodmusic, and quickly finding favor with fellow new yorkers james murphy and holy ghost!. influenced by talking heads, my bloody valentine, and paulsimpson, beg to differs work is characterized by big hooks, live instrumentation, and lush production. the duos wurst debut features two massive - and decidedly different - reworks. parisian afrobeat masters bibi tanga & the selenites get the full beg to differ overhaul on >be africa<, complete with infectious arpeggios, killer keys, and an entirely new rhythm section, with nick himself on bass duties. the pop rock of the hours >ali in the jungle< is transformed into an epic, string-laden anthem taking in disco, rock, and even trance by the end of the mix. heavy to say the very least.

the amiably deranged erdbeerschnitzel, alias the dark side of the meat is called tim keiling, half of whose life has been spent making music. with his self-distributed album pathetik party, dispersed among an inhibited, then startled public in free download grab bags,he demonstrated the lavish, unrestrained use of the musical propeller, drawing on influences from drum&bass, elektro, breakbeat, hip hop, techno, deep house & disco.

raised in the parisian suburb with a background of multiple genres throughout her life : from rock and new-wave to electronic music such as synth-pop, minimal techno, jungle, house, disco and 90s hip hop, malilones productions have helped express her influences and incorporate her emotion into the dubstep tempo we all love. malilone production has seen support from producers like matt-u, von d and bunzero as well as featuring in numerous dj gigs from paris to berlin.

a twinkle, a spark, and there you have it. many will say they saw it coming. at some point you could no longer ignore the signs, and actually youd suspected it all along: glamour is back in the club. berlin has become what new york was in 1981 and aÚrea negrot is the eartha kitt of the post-techno age. as part of hercules & love affair, perhaps the most enigmatic disco-ball band of the present day, the venezuelan disco diva has tackled issues of gender code through a four-four discourse and convinced the world that a slick performance under a strobe light can outdo than anything that has appeared in the light of day. now - as a taste of whats to come on her album next year - she is releasing her first ep on bpitch...

development music with some of the biggest names in deep house / nu disco. be / ethyl & flori / benedict & mxm

new 4 track disco 12 from stones throws dam-funk! featuring mc eiht on the title track, legend steve arrington from slave on >at my homies<, one jt donaldson & tim k produced track, and the instrumental come on outside, produced by devonwho (all city/fat city)!

z records deliver a very different sounding record to what you would expect from them. instead of the more soulful/disco sound they ve opted for a more filtered spacey affaire. it has dare i say it a fairly similar sound to >call on me<. its nowhere near as commercial sounding as >call on me< so don t let that put you off though.ltd backstock

excellent 80s disco / nyc infected house... incl smoking remixes from walter jones, bubble club, drrtyhaze.. any questions ??

italo! house! now! 4 tracks by severino horse meat disco, rodion, bottin & ajello. compiled by munk. gomma presents a compilation that features all the new young italian musicians and producers who produce fresh, innovative, futuristic house music. yeah! you might have noticed that while most people

serious house classic

smokin funky disco music... two floorshaking cuts at it best

this is the fourth nebraska ep for rush hour. again, a strong 4 tracker. with nebraska summer lasts longer. with minor key memories he delivers four good spirited and uplifting house tracks. >this is the way< is an infectious, building disco groove which climaxes midway through. party time! the other three tracks are also fun loving, playful disco cut ups in true nebraska style that put a smile to any crowd. addictive stuff. nebrakas sound is something we cant get enough of!

part 3 in the voyeurhythm series! retro futuristic house tracks by ben sun and monte carlo interchange. ben delivers a great track that builds around a sweet frankie knuckles kind of bassline and sexy ny proto house percussion, topped with lush piano and vocal samples 1992 rippin old disco records style. heavy hitter! flip side is a spaced out slomo cosmic house jam with a big bass line which goes between a classic 90s carl craig and a late 80s chicago house bassline ... sweeet! another cool release from these kind australian folks!

mark du mosch delivers a classic ep with four very different, but ultimately essential tracks. titletrack >bareknuckle< has _anthem_ written all over it. warm, but pumping techno with a hint of disco and a hook that is simply killing. with the raw, dark technoelectro sound of >monolulu< and >mice vs cat< mark du mosch dives into dusty, pounding cellar soundsystems. >machine lives< takes it in true sd style to an unexpected experimental level with not to miss.

the krays might or might not ring a bell, but that is a new guise of yuksek & brodinski. french electro dons doing the disco-tech... or something. this is the one for the clubs y all!

re-issue of this 1983 balearic / italo-disco release by asso.

remixes by the love supreme & mushroom project, supported by: bottin (bearfunk), social disco club, dolan bergin (electric minds), club silencio (this is not an exit, red music), fratelli riviera (bear funk), the heels of love (under the shade/jisco), nic sarno, ajello ...

jakob korn, break sl, thomas froehlich, cuthead on the first release of this ambitious new label from dresden. with its foundations firmly rooted in house and open to all styles such as techno, disco and dubstep. its a small community of friends and producers, djs that meet each other the old fashioned way, the local record store fat fenders. the first release is a true house-affair. thomas froehlichs >get us< is a mysterious and breathtaking opener with beautifully plucked strings and a summerish feel. jacob korn with the surprise track on this record that combines intricate soundscapes built on an uplifting groove. this guy is on a roll! on the b-side breaks-prankster cuthead unleashes an unusual deep house study entitled >unacceptable moustache styles< before the record concludes gracefully with break sls late night jam >low light<. we ve said it before... the next generation has arrived!

kenneth bagers >fragment ten (on the floor)<, with three remixes and two fragments, seventeen and twenty two of bagers various works with julee cruise, given a balearic sounding disco treatment, and two slightly bmore club treatments. less spacey and more straight ahead from the kbe.

roy ayers (born september 10, 1940) is an american funk, soul, and jazz composer and vibraphone player. ayers began his career as a jazz player, releasing several albums with atlantic records before his tenure at polydor records, during which he progressed a new r&b style, slowly molding the new disco genre.

found lurking in the creative laboratory known as the deadmau5 disco den of despair and inequitythis creative genius runs the gamut of beats unlike any other

12 funky latin, disco and jazz influenced house tracks, compiled by claudio coccoluto for mixmag.

reissue of this 1976 disco classic by maynard ferguson.

classic 80s disco stuff.

unless welcomes now for its 6th vinyl release the duet bla bla bla with an impressive 3 track ep so called prisma ep. this recently created duet are serginho and mecre, some important and respected personalities of porto city who handle for many years now the local underground scene. serginho as an old school ruler and charismatic dj and mecre already approved as an impressive studio producer wanted to deliver some musical works. prisma ep starts with bad disco on a side which uses samples of old classic house tracks as a tribute to house music at the beginning of the 90s. mayfield the first track on the b side evokes some tribal feelings with deep textures and some actual techno dub also. finally the second track of the bside is rom a tech house track building its drum pattern on a massive bass line

soulful broken beats by vikter duplaix from 2000 and funky disco by machine, made in 1979.

the musique d hiver pour l ete is all about warm instrumentation with a special emphasis on an intentional lo-fi production. it might even be a statement in an age of digitalism and overproduction. it rides the line between romantic techno and sultry disco!

slamming 4 track ep with jackin chicago disco licks

a major global player in all things futuristic disco prins thomas internasjonal imprint is further branching out and diversifying with its brand new spanking series internasjonal spesial. the a-side sees the proven and tested multi-national team of reykjavik born holmar filipson of thugfucker and crack & speed fame and ny party veteran ulysees ( one half of neurotic drum band ) pushing the agenda of joining the dots globally with the soon-to-be-classic emotive eletronic disco cut escape from new york . starting out as a leisurely paced electro boogie cut with sentimental string chords, additional e-guitar loops and haunting synth noises leak in a dark 80 s pop sensibility a la my bloody valentine. also the b-side by valentinoland - holmar filipsson partnering this time with arni runar hlodversson of fm belfast fame - is nothing short of truely exceptional but more on the dulcet side with a gut-wrenching string-lead melody in classic balearic sunset style.

the producer team solan yields an ideal division into compartments. when studio producer stefan klauck and dj denis reinhardt met in front of a mixing desk in 2007, it was an ideal combination of different experiences: the one who has produced various music styles from downbeat to electro, the other a dedicated follower of house who never wanted to hide his knack for soul and disco. the two of them soon found a common denominator.the project solan has by now crafted tracks which embrace the qualities of newer deep house productions and classical house music, that is reminiscent of a traditional u.s. sound.

phat funky disco action, incl j köhncke rmx

slamming disco edits

good guy mikesh is well known for his track -milk & honey- which was on the fabric 51 by dj t. and formerly released by liebe*detail spezial. with the single spare, good guy mikesh proves his talent for contemporary club- and popmusic. a rough and sometimes dark baseline layer underlines the magnificent detuned vocals. spare is a song that can enchant us listeners either in the club context or at home. remixes come in courtesy of christian löffler, axel boman, marbert rocel and mano le tough. christian löffler gives the original his trademark sound and makes it a melancholic piece of deep techno. axel boman is going straight to the floor with his remix of spare. adding clubsuited sounds and clicks this makes it a deep house version of the original for the djs to play out loud. marbert rocels version of >spare< is a playful one, the disco elements and the added sax line gives the track its distinctive sound of marbert rocel . mano le tough adds a few synth-lines to the original and makes it good for both: homelistening and club. supported by: marquese, tristen, john roberts, soul clap, dj sneak, lexy, tobias thomas, paul loraine, m.a.n.d.y., anthony collins, paulo olarte, alex tepper, butane, ripperton, nuno dos santos, milly de mori, sven tasnadi, eddy richards, nooncat, guy j, david keno, murat kilic, jesse rose, simon beeston, someone else, patrick zigon, chris lattner and elektrosalz

nice price deal !!! lissabons finest jackspot teams up with fausto messina & mighty ceaser for this big lovley and harmonic swinging 2 tracker. jazz & disco influenced bombs

nach dem massiven erfolg, den die gebrueder zenker mit ihrer definition von munich techno einfuhren, kommt nun endlich moechte man meinen die nummer 2 auf harry klein records. diesmal teilen sich die harry klein residents benna und kid.chic die split-ep.benna schneider, resident der ersten stunde, debuetiert hier auf ganzer linie mit seiner ersten produktion und erweitert die klanglichen parameter des harry klein sounds um eine neue richtung weird house. bereits in seinen sets zeigte sich stets eine gewisse affinitaet zu psychedelischer wirrnis, doch angesichts dieser zwei stuecke wuenscht man sich in der tat, dass bennas psychiater diese scheibe niemals zu ohren bekommt. darueber hinaus gibt auch der (releasetechnisch) ebenso jungfrõuliche kid.chic seine premiere mit einem elegant reduzierten housetrack, durchsetzt mit subtiler disco-aesthetik, die den moment der ersten sonnenstrahlen noch einmal perfekt ausformuliert. damit wõre auch alles gesagt, eine split-ep zwischen wahnsinn und liebe.

one of the master teachers of the norwegian house and disco rune lindbaek - who put oslo on the house map as part of the those norwegians ( paper music ) - joins forces with younger disciple kare frisvold for a potent, accoustic hallucinogenic called >bozak brewed with the shared knowledge of mad sounds scientist like walter gibbons and lee scratch perry: a constantly building electrical storm of strange psychedelic synth noises pierced by flutters of rico rodriguez style trombone solo, liquid guitar scales and kraftwerk like melodic fragments all held together by a forcefull drum beat. the quirky >spok & spenning< on the flip is another beautifully strange mixture of cinematic melodies, like sweated out by a drunken ennio morricone, over an easy skanking beat and comes additionally in a stripped down bonus beat plus spacey sounds version by prins thomas. take a trip to your mind!

just a fantastic nyc disco classic ... back from 1982

trans air / caliypso, soca & reggae-fied versions of disco hits / feat. billie cole, tappa zukie, gerard pj browne, the star beams, casual t, eddie & the moment, mucho plus, wabine, oluko umo, el cid, bobby ravern and okyerema asante..

limited 2010 repress !!! >most of all< sees morgan aiming for the deeper end of the ital-disco scale, with jeremy greenspan s smooth vocal backed by great italo keys, a bouncing analog bassline, and tight beats. along with an instrumental take of >most of all< on the flip comes >skyblue pink<, a slightly angular, atmospheric late night cut for the leftfield headz to get to grips with, combining sprase metallic beats and textured italo keys. tracks: most of all/ most of all (instrumental)/ skyblue pink

2010 proggy electrohouse mixes, plus original 90s disco house version

first release by jonny comes with two far over ten minutes mad electronic funk jams. one side space station is fully devoted to (carl craigs) paperclip people and 69-projects. the other track brings jonny back to eighties styled disco, himself doing the bass which is stuck in your brains after one time listening.check